Theatre Wars Reach the UK

It’s not everyday an Australian debate causes a stir overseas.

But our antipodean argument over The Birthday Party has done just that.  The Guardian, a newspaper of some repute, has a feature up on its Theatre Blog about the dispute.

Says the Guardian’s blogger, Chris Wilkinson:

Perhaps the core problem is that director and critics see the role of the production to be fundamentally different.  Meyrick thinks it succeeds because it is aiming to spark a much wider debate about Australian culture; the critics think it fails because, as Croggon puts it, “the possibility of bringing a tough and fresh angle on to Pinter’s work” is missed.

If I had to choose between praising theatre for examining society or praising it for re-examining the theatre, I would certainly opt for the former.

Amen to that, brother,  I couldn’t agree more.

McCann crosses to the table, left, sits, picks up the paper and begins to tear it into strips.

McCann crosses to the table, left, sits, picks up the paper and begins to tear it into strips. But is it the Age, the Australian or the Guardian?

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